Have A New Name – LP/CD now available

Jun 22

 

My new album, Have A New Name, has been released today. It is available in Canada on vinyl and CD through COAX records/Outside distribution with a European release to follow in the Autumn. COAX is a wonderful not-for-profit label run by Rae Spoon, and home to quality friends of mine like Bird City (Jenny Mitchell), Corwin Fox, and Geoff Berner. I encourage you to explore the entire COAX catalogue at…
http://www.coaxrecords.com/
You can listen to the entire record on your favourite streaming services, including Spotify.

I will be updating this blog regularly now, so check back soon, or sign up to the mailing list on the right. 

Recently, someone typed flattering words about me. At the risk of seeming immodest, I have posted these words below in order to give you a sense of what to expect from the album, and my current incarnation.

Here they are:

Wax Mannequin
Have A New Name

Wax Mannequin (aka Hamilton, Ontario’s Christopher Adeney) is many things to many people. A lyricist, songsmith and self-effacing showman certainly, but also a student of the human psyche, constantly finding fresh and interesting ways to frame the people we are and the things we encounter.

All of that is gloriously displayed on the seventh Wax Mannequin album, Have A New Name, the result of Adeney reuniting with producer Edwin Burnett, with whom he made some of the first Wax Mannequin recordings in the early 2000s. Working in a small east-end Hamilton industrial space containing an array of vintage and modern gear, the pair—along with percussionist Mark Raymond—crafted Have A New Name’s eight songs out of semi-impromptu sessions that eventually expanded with the addition of grand
piano, gamba da viola, double bass and a 12 piece choir. The end product is the most sonically ambitious Wax Mannequin album to date, and also arguably the most powerful.

As an example, Adeney points to the album’s closing track “Longest Hour,” an atmospheric travelogue that never lags over the course of its nearly nine minutes. Other songs on Have A New Name such as “Basketball” and “Squirmy Wormy” are rooted in whimsy, while the songs “Someone Fixed The Game” and “People Can Change” display a maturity that signals Wax Mannequin is indeed more than capable of reaching wider audiences without sacrificing any of his edge.

With Have A New Name, Christopher Adeney has made a Wax Mannequin album utterly necessary for this moment in time. Challenging and earthy, funny and heartbreaking, in search of answers yet rooted in hard-earned wisdom.